In Search
of Aki Kaurismäki:
Aesthetics
and
Contexts
Andrew Nestingen (ed.)
Who is Aki Kaurismäki? What explains his successes? What are his
cinematic aesthetics? What are Aki Kaurismäki's relevant contexts
in cinema scholarship and in film history? The five articles in this
volume offer the beginnings of answers to these questions much more
than ever before in English.
With idiosyncratic, influential, and award-winning films such as Ariel,
Leningrad Cowboys Go America, The Match-Factory Girl, Drifting Clouds,
and Man Without a Past, Finnish director Aki Kaurismäki’s cinema
has enjoyed critical success and international popularity. Showing the
richness of alternatives to contemporary Hollywood, Kaurismäki’s
terse cinematic language is embedded in film history and Finnish
culture, while also concerned with social change in times of
globalization. His films are provocative, humorous, and intellectually
rewarding. This special issue of the Journal of Finnish Studies is
devoted to exploring the aesthetics of Aki Kaurismäki’s cinema,
and to putting his films into cinematic, national, and
cultural-political context. It includes essays by Satu Kyösola,
Pietari Kääpä, Andrew Nestingen, Sakari Toiviainen, and
Jochen Werner:
Andrew Nestingen: “In Search of Aki Kaurismäki”
Sakari Toiviainen: “The Kaurismäki Phenomenon”
Satu Kyösola: “The Archivist’s Nostalgia”
Jochen Werner: “Talking Without Words: Aki Kaurismäki’s
Rediscovery of the Virtues of Cinema”
Pietari Kääpä: “‘The Working Class Has No Fatherland’:
Aki Kaurismäki’s Films and the Transcending of National
Specificity”
Andrew Nestingen: “Leaving Home: Global
Circulation and Aki Kaurismäki’s Ariel”
Andrew Nestingen is assistant professor of Scandinavian studies at the
University of Washington. He is co-editor with Trevor Elkington of
Transnational Cinema in a Global North: Nordic Cinema in Transition.
ISBN: 0-9737165-0-9
Softcover, 119 pages
$15.00